Walking: A Novella, by Thomas Bernhard

Walking: A Novella, by Thomas Bernhard

Do you ever recognize guide Walking: A Novella, By Thomas Bernhard Yeah, this is a really intriguing book to read. As we informed formerly, reading is not sort of responsibility task to do when we need to obligate. Reading should be a practice, a great practice. By reading Walking: A Novella, By Thomas Bernhard, you could open the new world as well as obtain the power from the world. Every little thing could be obtained via guide Walking: A Novella, By Thomas Bernhard Well briefly, book is really effective. As just what we provide you here, this Walking: A Novella, By Thomas Bernhard is as one of checking out publication for you.

Walking: A Novella, by Thomas Bernhard

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Thomas Bernhard is “one of the masters of contemporary European fiction” (George Steiner); “one of the century’s most gifted writers” (Newsday); “a virtuoso of rancor and rage” (Bookforum). And although he is favorably compared with Franz Kafka, Samuel Beckett, and Robert Musil, it is only in recent years that he has gained a devoted cult following in America.A powerful, compact novella, Walking provides a perfect introduction to the absurd, dark, and uncommonly comic world of Bernhard, showing a preoccupation with themes—illness and madness, isolation, tragic friendships—that would obsess Bernhard throughout his career. Walking records the conversations of the unnamed narrator and his friend Oehler while they walk, discussing anything that comes to mind but always circling back to their mutual friend Karrer, who has gone irrevocably mad. Perhaps the most overtly philosophical work in Bernhard’s highly philosophical oeuvre, Walking provides a penetrating meditation on the impossibility of truly thinking.

Walking: A Novella, by Thomas Bernhard

• Amazon Sales Rank: #240108 in eBooks
• Published on: 2015-10-15
• Released on: 2015-10-15
• Format: Kindle eBook

Walking: A Novella, by Thomas Bernhard

Review “There’s very little peace to be found within the minds of the characters of Austrian author Bernhard’s celebrated philosophical novella Walking. It’s not the easiest of reads—an account of the conversations between the unnamed narrator and his friend and walking companion Oehler, the two men’s discussion inevitably drawn back to that of the fate of a mutual friend of theirs, Karrer, who recently went mad and is now in an asylum—but there’s an absurd humour lurking between the lines.” (Lucy Scholes Independent (UK))“Our precious individual lives, we discover, are only a symptom of a swirling, uncentered excess of thought in which we lose our direction and identity. We lose ourselves into madness, we find, not at the end of reason’s course but in the infinity between two beats of reason’s clock. It is Bernhard’s genius to be able to make this revelation darkly, but giddily, humorous. Kenneth J. Northcott’s translation brilliantly renders the drama of this piece, which reads like a soliloquy revealing the complex inner tides constituting an individual psyche. . . . Uncompromising.” (Chicago Tribune)“In Walking, we see burgeoning signs of one of the most distinct literary voices of the twentieth century. . . . A small treasure.” (Rain Taxi)“What is extraordinary about Bernhard is that his relentless pessimism never seems open to ridicule; his world is so powerfully imagined that it can seem to surround you like little else in literature.” (New Yorker)“The writing is . . . repetitive, but the repetition eventually seduces the reader into the strange nature of the friends’ discussion. Despite its difficulties, the writing is beautiful; even if you don’t enjoy weighty writing or agree with Bernhard’s sometimes heavy-handed views on society, the prose can be appreciated for is beauty alone.” (Bookslut)“It is with Walking, worth the price of admission, that we understand how Bernhard’s writing, a writing constantly struggling against, is a consistent, desperate, humorous, bitter, and all-too-human attempt to keep from going under.” (Review of Contemporary Fiction)

About the Author Thomas Bernhard (1931-89) grew up in Salzburg and Vienna, where he studied music. In 1957 he began a second career as a playwright, poet, and novelist. He went on to win many of the most prestigious literary prizes of Europe (including the Austrian State Prize, the Bremen and Brüchner prizes, and Le Prix Séguier), became one of the most widely admired writers of his generation, and insisted at his death that none of his works be published in Austria for seventy years, a provision later repealed by his half-brother. Kenneth J. Northcott is professor emeritus of German at the University of Chicago. He has translated a number of books for the University of Chicago Press.

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5 of 5 people found the following review helpful. For twice the cost of this paperback you get three novellas in a nice hardbound edition By maxson Everyone should read everything that this man ever wrote. But be advised that this is repackaging. I almost want to give it zero stars. The Univ of Chicago press published "Walking" in their still in-print title Three Novellas. Shame shame shame. For twice the cost of this paperback you get three novellas in a nice hardbound edition. Wish I'd done my due diligence.

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Walking: A Novella, by Thomas Bernhard

Walking: A Novella, by Thomas Bernhard

Walking: A Novella, by Thomas Bernhard

Troilus and Cressida, by William Shakespeare

Troilus and Cressida, by William Shakespeare

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Troilus and Cressida, by William Shakespeare

Ebook PDF Troilus and Cressida, by William Shakespeare

Troilus and Cressida is a tragedy by William Shakespeare, believed to have been written in 1602. It was described by Frederick S. Boas as one of Shakespeare's problem plays. The play ends on a very bleak note with the death of the noble Trojan Hector and destruction of the love between Troilus and Cressida. Throughout the play, the tone lurches wildly between bawdy comedy and tragic gloom, and readers and theatre-goers have frequently found it difficult to understand how one is meant to respond to the characters. However, several characteristic elements of the play (the most notable being its constant questioning of intrinsic values such as hierarchy, honour and love) have often been viewed as distinctly "modern," as in the following remarks on the play by author and literary scholar Joyce Carol Oates:Troilus and Cressida, that most vexing and ambiguous of Shakespeare's plays, strikes the modern reader as a contemporary document—its investigation of numerous infidelities, its criticism of tragic pretensions, above all, its implicit debate between what is essential in human life and what is only existential are themes of the twentieth century. ... This is tragedy of a special sort—the "tragedy" the basis of which is the impossibility of conventional tragedy. (font: Wikipedia)

Troilus and Cressida, by William Shakespeare

• Published on: 2015-10-17
• Released on: 2015-10-17
• Format: Kindle eBook

Troilus and Cressida, by William Shakespeare

From the Publisher Designed for school districts, educators, and students seeking to maximize performance on standardized tests, Webster’s paperbacks take advantage of the fact that classics are frequently assigned readings in English courses. By using a running thesaurus at the bottom of each page, this edition of Troilus and Cressida by William Shakespeare was edited for students who are actively building their vocabularies in anticipation of taking PSAT®, SAT®, AP® (Advanced Placement®), GRE®, LSAT®, GMAT® or similar examinations.

PSAT® is a registered trademark of the College Entrance Examination Board and the National Merit Scholarship Corporation neither of which sponsors or endorses this book; SAT® is a registered trademark of the College Board which neither sponsors nor endorses this book; GRE®, AP® and Advanced Placement® are registered trademarks of the Educational Testing Service which neither sponsors nor endorses this book, GMAT® is a registered trademark of the Graduate Management Admissions Council which is neither affiliated with this book nor endorses this book, LSAT® is a registered trademark of the Law School Admissions Council which neither sponsors nor endorses this product. All rights reserved.

About the Author William Shakespeare, also known as “Bard of Avon”, is regarded as one of the greatest writer in the English language and the finest dramatist of the world. He was a successful English poet, Playwright, and actor. He is often called England’s National Poet. His works have been translated into every major language of the world, and are performed the most as compared to any other playwright. His works, along with some collaborations, consist of about 38 plays, 154 sonnets, two long narrative poems, and few other verses, of which the authorship of some is unconfirmed. Shakespeare’s private life is much speculated about, as too few records of his private life have survived. The known works of Shakespeare were produced between 1589 and 1613. In the early phase as a playwright, Shakespeare mostly produced comedies and histories, and these works are considered as one of the best in these genres. Afterwards, he wrote tragedies until about 1608, which include Hamlet, Macbeth, King Lear, and Othello. These works are also one of the finest in English language, and literature. In his last phase, he wrote tragicomedies, also known as romances, and collaborated with other playwrights.

Excerpt. © Reprinted by permission. All rights reserved. The Prologue[Enter the Prologue, in armour]In Troy there lies the scene. From isles of GreeceThe princes orgulous, their high blood chafed,Have to the port of Athens sent their shipsFraught with the ministers and instrumentsOf cruel war: sixty and nine, that woreTheir crownets regal, from th'Athenian bayPut forth toward Phrygia, and their vow is madeTo ransack Troy, within whose strong immuresThe ravished Helen, Menelaus' queen,With wanton Paris sleeps, and that's the quarrel.To Tenedos they come,And the deep-drawing barks do there disgorgeTheir warlike fraughtage: now on Dardan plainsThe fresh and yet unbruisèd Greeks do pitchTheir brave pavilions: Priam's six-gated city,Dardan, and Tymbria, Helias, Chetas, Troien,And Antenorides, with massy staplesAnd corresponsive and fulfilling bolts,Stir up the sons of Troy.Now expectation, tickling skittish spirits,On one and other side, Trojan and Greek,Sets all on hazard. And hither am I come,A prologue armed, but not in confidenceOf author's pen or actor's voice, but suitedIn like conditions as our argument,To tell you, fair beholders, that our playLeaps o'er the vaunt and firstlings of those broils,Beginning in the middle, starting thence awayTo what may be digested in a play.Like or find fault, do as your pleasures are:Now good or bad, 'tis but the chance of war. [Exit]Act 1 Scene 1 running scene 1Enter Pandarus and TroilusTROILUS Call here my varlet, I'll unarm again:Why should I war without the walls of TroyThat find such cruel battle here within?Each Trojan that is master of his heart,Let him to field: Troilus, alas, hath none.PANDARUS Will this gear ne'er be mended?TROILUS The Greeks are strong and skilful to their strength,Fierce to their skill and to their fierceness valiant,But I am weaker than a woman's tear,Tamer than sleep, fonder than ignorance,Less valiant than the virgin in the night,And skilless as unpractised infancy.PANDARUS Well, I have told you enough of this: for my part, I'll not meddle nor make no further. He that will have a cake out of the wheat must needs tarry the grinding.TROILUS Have I not tarried?PANDARUS Ay, the grinding, but you must tarry the bolting.TROILUS Have I not tarried?PANDARUS Ay, the bolting, but you must tarry the leav'ning.TROILUS Still have I tarried.PANDARUS Ay, to the leavening, but here's yet in the word 'hereafter' the kneading, the making of the cake, the heating of the oven and the baking; nay, you must stay the cooling too, or you may chance to burn your lips.TROILUS Patience herself, what goddess e'er she be,Doth lesser blench at suff'rance than I do.At Priam's royal table do I sit;And when fair Cressid comes into my thoughts -So, traitor, when she comes? When is she thence?PANDARUS Well, she looked yesternight fairer than ever I saw her look, or any woman else.TROILUS I was about to tell thee - when my heart,As wedgèd with a sigh, would rive in twain,Lest Hector or my father should perceive me -I have, as when the sun doth light a-scorn,Buried this sigh in wrinkle of a smile:But sorrow, that is couched in seeming gladnessIs like that mirth fate turns to sudden sadness.PANDARUS An her hair were not somewhat darker than Helen's - well, go to - there were no more comparison between the women. But, for my part, she is my kinswoman: I would not, as they term it, praise her, but I would somebody had heard her talk yesterday, as I did. I will not dispraise your sister Cassandra's wit, but-TROILUS O Pandarus! I tell thee, Pandarus -When I do tell thee, there my hopes lie drowned,Reply not in how many fathoms deepThey lie indrenched. I tell thee I am madIn Cressid's love. Thou answer'st she is fair,Pour'st in the open ulcer of my heartHer eyes, her hair, her cheek, her gait, her voice,Handlest in thy discourse, O, that her handIn whose comparison all whites are inkWriting their own reproach, to whose soft seizureThe cygnet's down is harsh and spirit of senseHard as the palm of ploughman: this thou tell'st me -As true thou tell'st me - when I say I love her,But, saying thus, instead of oil and balm,Thou lay'st in every gash that love hath given meThe knife that made it.PANDARUS I speak no more than truth.TROILUS Thou dost not speak so much.PANDARUS Faith, I'll not meddle in't. Let her be as she is: if she be fair, 'tis the better for her: an she be not, she has the mends in her own hands.TROILUS Good Pandarus, how now, Pandarus?PANDARUS I have had my labour for my travail: ill-thought on of her and ill-thought on of you: gone between and between, but small thanks for my labour.TROILUS What, art thou angry, Pandarus? What, with me?PANDARUS Because she's kin to me, therefore she's not so fair as Helen: an she were not kin to me, she would be as fair on Friday as Helen is on Sunday. But what care I? I care not an she were a blackamoor: 'tis all one to me.TROILUS Say I she is not fair?PANDARUS I do not care whether you do or no. She's a fool to stay behind her father: let her to the Greeks, and so I'll tell her the next time I see her. For my part, I'll meddle nor make no more i'th'matter.TROILUS Pandarus-PANDARUS Not I.TROILUS Sweet Pandarus-PANDARUS Pray you speak no more to me: I will leave all as I found it, and there an end. Exit PandarusSound alarumTROILUS Peace, you ungracious clamours, peace, rude sounds!Fools on both sides! Helen must needs be fairWhen with your blood you daily paint her thus.I cannot fight upon this argument:It is too starved a subject for my sword.But Pandarus - O gods, how do you plague me!I cannot come to Cressid but by Pandar,And he's as tetchy to be wooed to wooAs she is stubborn, chaste, against all suit.Tell me, Apollo, for thy Daphne's love,What Cressid is, what Pandar, and what we?Her bed is India: there she lies, a pearl.Between our Ilium and where she resides,Let it be called the wild and wand'ring flood,Ourself the merchant, and this sailing PandarOur doubtful hope, our convoy and our bark.Alarum. Enter AeneasAENEAS How now, Prince Troilus? Wherefore not afield?TROILUS Because not there: this woman's answer sorts,For womanish it is to be from thence.What news, Aeneas, from the field today?AENEAS That Paris is returnèd home and hurt.TROILUS By whom, Aeneas?AENEAS Troilus, by Menelaus.TROILUS Let Paris bleed, 'tis but a scar to scorn:Paris is gored with Menelaus' horn. AlarumAENEAS Hark, what good sport is out of town today!TROILUS Better at home, if 'would I might' were 'may'.But to the sport abroad: are you bound thither?AENEAS In all swift haste.TROILUS Come, go we then together. Exeunt[Act 1 Scene 2] running scene 2Enter Cressida and her Man [Alexander]CRESSIDA Who were those went by?ALEXANDER Queen Hecuba and Helen.CRESSIDA And whither go they?ALEXANDER Up to the eastern tower,Whose height commands as subject all the vale,To see the battle. Hector, whose patienceIs as a virtue fixed, today was moved:He chides Andromache and struck his armourer,And, like as there were husbandry in war,Before the sun rose he was harnessed light,And to the field goes he, where every flowerDid as a prophet weep what it foresawIn Hector's wrath.CRESSIDA What was his cause of anger?ALEXANDER The noise goes, this: there is among the GreeksA lord of Trojan blood, nephew to Hector:They call him Ajax.CRESSIDA Good, and what of him?ALEXANDER They say he is a very man per se, and stands alone.CRESSIDA So do all men, unless they are drunk, sick, or have no legs.ALEXANDER This man, lady, hath robbed many beasts of their particular additions: he is as valiant as the lion, churlish as the bear, slow as the elephant: a man into whom nature hath so crowded humours that his valour is crushed into folly, his folly sauced with discretion. There is no man hath a virtue that he hath not a glimpse of, nor any man an attaint but he carries some stain of it: he is melancholy without cause, and merry against the hair: he hath the joints of everything, but everything so out of joint that he is a gouty Briareus, many hands and no use, or purblinded Argus, all eyes and no sight.CRESSIDA But how should this man, that makes me smile make Hector angry?ALEXANDER They say he yesterday coped Hector in the battle and struck him down, the disdain and shame whereof hath ever since kept Hector fasting and waking.Enter PandarusCRESSIDA Who comes here?ALEXANDER Madam, your uncle Pandarus.CRESSIDA Hector's a gallant man.ALEXANDER As may be in the world, lady.PANDARUS What's that? What's that?CRESSIDA Good morrow, uncle Pandarus.PANDARUS Good morrow, cousin Cressid. What do you talk of?- Good morrow, Alexander.- How do you, cousin? When were you at Ilium?CRESSIDA This morning, uncle.PANDARUS What were you talking of when I came? Was Hector armed and gone ere ye came to Ilium? Helen was not up, was she?CRESSIDA Hector was gone, but Helen was not up.PANDARUS E'en so; Hector was stirring early.CRESSIDA That were we talking of, and of his anger.PANDARUS Was he angry?CRESSIDA So he says here.PANDARUS True, he was so; I know the cause too: he'll lay about him today, I can tell them that, and there's Troilus will not come far behind him: let them take heed of Troilus, I can tell them that too.CRESSIDA What, is he angry too?PANDARUS Who, Troilus? Troilus is the better man of the two.CRESSIDA O Jupiter, there's no comparison.PANDARUS What, not between Troilus and Hector? Do you know a man if you see him?CRESSIDA Ay, if I ever saw him before and knew him.PANDARUS Well, I say Troilus is Troilus.CRESSIDA Then you say as I say, for I am sure he is not Hector.PANDARUS No, nor Hector is not Troilus in some degrees.CRESSIDA 'Tis just to each of them: he is himself.PANDARUS Himself? Alas, poor Troilus, I would he were.CRESSIDA So he is.PANDARUS Condition, I had gone barefoot to India.CRESSIDA He is not Hector.PANDARUS Himself? No, he's not himself: would a were himself! Well, the gods are above, time must friend or end. Well, Troilus, well. I would my heart were in her body. No, Hector is not a better man than Troilus.CRESSIDA Excuse me.PANDARUS He is elder.CRESSIDA Pardon me, pardon me.PANDARUS Th'other's not come to't; you shall tell me another tale, when th'other's come to't. Hector shall not have his wit this year.CRESSIDA He shall not need it if he have his own.PANDARUS Nor his qualities.CRESSIDA No matter.PANDARUS Nor his beauty.CRESSIDA 'Twould not become him: his own's better.PANDARUS You have no judgement, niece; Helen herself swore th'other day that Troilus for a brown favour - for so 'tis, I must confess - not brown neither-CRESSIDA No, but brown.PANDARUS 'Faith, to say truth, brown and not brown.CRESSIDA To say the truth, true and not true.PANDARUS She praised his complexion above Paris.CRESSIDA Why, Paris hath colour enough.PANDARUS So he has.CRESSIDA Then Troilus should have too much: if she praised him above, his complexion is higher than his: he having colour enough, and the other higher, is too flaming a praise for a good complexion. I had as lief Helen's golden tongue had commended Troilus for a copper nose.PANDARUS I swear to you, I think Helen loves him better than Paris.CRESSIDA Then she's a merry Greek indeed.PANDARUS Nay, I am sure she does. She came to him th'other day into the compassed window - and, you know, he has not past three or four hairs on his chin-CRESSIDA Indeed, a tapster's arithmetic may soon bring his particulars therein to a total.PANDARUS Why, he is very young, and yet will he within three pound lift as much as his brother Hector.CRESSIDA Is he so young a man and so old a lifter?PANDARUS But to prove to you that Helen loves him, she came and puts me her white hand to his cloven chin-CRESSIDA Juno have mercy! How came it cloven?PANDARUS Why, you know 'tis dimpled. I think his smiling becomes him better than any man in all Phrygia.CRESSIDA O, he smiles valiantly.PANDARUS Does he not?CRESSIDA O yes, an 'twere a cloud in autumn.PANDARUS Why, go to, then. But to prove to you that Helen loves Troilus-CRESSIDA Troilus will stand to the proof, if you'll prove it so.PANDARUS Troilus? Why, he esteems her no more than I esteem an addle egg.CRESSIDA If you love an addle egg as well as you love an idle head, you would eat chickens i'th'shell.PANDARUS I cannot choose but laugh to think how she tickled his chin. Indeed, she has a marvellous white hand, I must needs confess-CRESSIDA Without the rack.PANDARUS And she takes upon her to spy a white hair on his chin.CRESSIDA Alas, poor chin. Many a wart is richer.PANDARUS But there was such laughing! Queen Hecuba laughed that her eyes ran o'er.CRESSIDA With millstones.PANDARUS And Cassandra laughed.CRESSIDA But there was more temperate fire under the pot of her eyes: did her eyes run o'er too?PANDARUS And Hector laughed.CRESSIDA At what was all this laughing?PANDARUS Marry, at the white hair that Helen spied on Troilus' chin.CRESSIDA An't had been a green hair, I should have laughed too.PANDARUS They laughed not so much at the hair as at his pretty answer.CRESSIDA What was his answer?PANDARUS Quoth she, 'Here's but two and fifty hairs on your chin, and one of them is white.'CRESSIDA This is her question.PANDARUS That's true, make no question of that. 'Two and fifty hairs,' quoth he, 'and one white: that white hair is my father, and all the rest are his sons.' 'Jupiter!' quoth she, 'Which of these hairs is Paris, my husband?' 'The forked one,' quoth he, 'pluck't out, and give it him.' But there was such laughing, and Helen so blushed, and Paris so chafed, and all the rest so laughed, that it passed.CRESSIDA So let it now, for it has been a great while going by.PANDARUS Well, cousin. I told you a thing yesterday: think on't.CRESSIDA So I do.

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36 of 36 people found the following review helpful. Reviews don't necessarily apply to the edition you are looking at By Wanda B. Red Amazon seems to be including all the reviews of different editions and translations of Chaucer's "Troilus and Criseyde" on the same page. If you read the reviews here you will be very confused. Some refer to an original language edition (either the one made by R. A. Shoaf or Stephen Barney's Norton Critical edition), and some refer to a translation, at least one to the translation done by Nevill Coghill. The reader needs to pay careful attention to what edition is actually on the screen when making a selection.If you want to read the original text, I would recommend Stephen Barney's edition. Barney is the editor who made the critical edition for the Riverside Chaucer, and his Norton Critical edition includes ten excellent critical essays in addition to Chaucer's poem, Giovanni Boccaccio's "Il Filostrato" (Chaucer's source), and Robert Henryson's "Testament of Crisseid." Shoaf's edition is also good, but twice as expensive, and it does not have as much contextual material. Coghill is a fine translator of Chaucer, and for the reader who does not want to tackle the Middle English he will provide an adequate experience. But beware: His smooth couplets sound more like Alexander Pope than the vigorous medieval writer he is translating.

32 of 36 people found the following review helpful. A marvelous translation and an excellent place to start. By tepi CHAUCER : TROILUS AND CRISEYDE. Translated into Modern English by Nevill Coghill. 332 pp. New York : Viking Press, 1995 (Reissue). ISBN: 0140442391 (pbk.)Nevill Coghill's brilliant modern English translation of Chaucer's 'The Canterbury Tales' has always been a bestseller and it's easy to understand why. Chaucer was an intensely human writer and a great comic artist, but besides the ribaldry and sheer good fun of 'The Canterbury Tales,' we also know he was capable of other things. His range was wide, and the striking thing about Coghill's translations are how amazingly faithful they are to the spirit of the originals - at times bawdy and hilariously funny, at other times more serious and moving when Chaucer shifts to a more poignant mode as in 'Troilus and Criseyde.'But despite the brilliance of Coghill's translations, and despite the fact that they remain the best possible introduction to Chaucer for those who don't know Middle English, those who restrict themselves to Coghill are going to miss a lot - such readers are certainly going to get the stories, but they're going to lose much of the beauty those stories have in the original language. The difference is as great as that between a black-and-white movie and technicolor.Chaucer's Middle English _looks_ difficult to many, and I think I know why. It _looks_ difficult because that in fact is what people are doing, they are _looking_ at it, they are reading silently and trying to take it in through the eye. This is a recipe for instant frustration and failure. But fortunately there is a quick and easy remedy.So much of Chaucer's power is in the sheer music of his lines, and in their energy and thrust. He was writing when English was at its most masculine and vigorous. And his writings were intended, as was the common practice in the Middle Ages when silent reading was considered a freakish phenomenon, to be read aloud. Those new to Chaucer would therefore be well advised, after reading and enjoying Nevill Coghill's renderings, to learn how to read Middle English _aloud_ as soon as possible by listening to one of the many excellent recordings.Coghill certainly captures the spirit of Chaucer, but modern English cannot really convey the full flavor and intensity of the original. Learn how to roll a few of Chaucer's Middle English lines around on your tongue and you'll soon hear what I mean. You'll also find that it isn't nearly so difficult as it _looks_, and your pleasure in Chaucer will be magnified enormously.

32 of 38 people found the following review helpful. The most unsung, but perhaps the most modern, of Shakespeare By darragh o'donoghue One of his lesser known works, Shakespeare's Trojan play is also one of his most intriguing. Not quite a burlesque, 'Troilus and Cressida''s lurches in tone, from farce to historical drama to romance to tragedy, and its blurring of these modes, explains why generations of critics and audiences have found it so unsatisfying, and why today it can seem so modern. Its disenchanted tone, its interest in the baser human instincts underlying (classical) heroism look forward to such 20th century works as Giraudoux's 'The Trojan War Will Not Take Place' or Terry Jones' 'Chaucer's Knight'; the aristocratic ideals of Love and War, inextricably linked in this play, are debased by the merchant-class language of exchange, trade, food, possesion - the passionate affair at its centre is organised by the man who gave his name to pimps, Pandarus, and is more concerned with immediate sexual gratification than anything transcendental. The Siege of Troy sequences are full of the elaborately formal rhetoric we expect from Shakespeare's history plays, but well-wrought diplomacy masks ignoble trickery; the great heroes Ajax and Achilles are petulant egotists, the latter preferring the company of his catamite to combat; the actual war sequences, when they finally come, are a breathless farce of exits and entrances. There are a lot of words in this play, but very few deeds.Paris, Prince of Troy, has abducted Helen, wife of Menelaus, King of Sparta. Led by the latter's brother Agamemnon, and his Machiavellian advisors Ulysses and Nestor, the Greeks besiege Troy, demanding the return of Helen. However, Achilles' dissatisfaction at the generals' endless politicking has spread discontent in the ranks. Within Troy, war takes a distinct second place to matters of the heart. While Paris wallows in luxury with his prize, his youngest brother Troilus uses Pandarus as a go-between to arrange a night of love with his niece, Cressida. When one of the Trojan leaders is taken prisoner by the Greeks, the ransom price is Cressida.There is only one character in 'Troilus' who can be said to be at all noble and not self-interested, the eldest Trojan prince Hector, who, despite his odd interpreation of the quality 'honour', detests a meaningless war, and tries to spare as many of his enemies' lives as he can. He is clearly an anachronism, however, and his ignoble slaughter at the hands of a brutal gang suggests what price chivalry. Perhaps the most recognisable character is Thirsitis, the most savagely cynical of his great Fools. Imagine Falstaff without the redeeming lovability - he divests heroes and events of their false values, satirises motivations, abuses his dim-witted 'betters' and tries to preserve his life at any cost. Written in between 'Hamlet' and 'All's Well That Ends Well', 'Troilus' bears all the marks of Shakespeare's mid-period: the contrapuntal structure, the dense figures, the audacious neologisms, and the intitially deferred, accelerated action. If some of the diplomacy scenes are too efective in their parodic pastiche of classical rhetoric, and slow things down, Act 5 is an amazing dramatic rush, crowning the play's disenchantment with love (with an extraordinarily creepy three-way spaying of an infidelity) and war.The New Penguin Shakespeare is the most accessible and user-friendly edition for students and the general reader (although it does need updating). Unlike the Oxford or Arden series, which offer unwieldy introductions (yawning with irrelevant conjecture about dates and sources) and unusable notes (clotted with tedious pedantry more concerned with fighting previous commentators than elucidating Shakespeare), the Penguin's format offers a clear Introduction dealing with the play and its contexts, an appendix 'An Account of the Text', and functional endnotes that gloss unfamiliar words and difficult passages. The Introduction is untainted by fashions in Critical Theory, but is particularly good at explaining the role of Time ('When time is old and hath forgot itself...And blind oblivion swallowed cities up'), the shifting structure, the multiple viewpoints in presenting characters, and Shakespeare's use of different literary and linguistic registers.

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Hamlet and Love Labours lost: Color Illustrated, Formatted for E-Readers (Unabridged Version),

Hamlet and Love Labours lost: Color Illustrated, Formatted for E-Readers (Unabridged Version), by William Shakespeare

Hamlet And Love Labours Lost: Color Illustrated, Formatted For E-Readers (Unabridged Version), By William Shakespeare. Checking out makes you better. Who states? Several smart words claim that by reading, your life will be a lot better. Do you think it? Yeah, prove it. If you require guide Hamlet And Love Labours Lost: Color Illustrated, Formatted For E-Readers (Unabridged Version), By William Shakespeare to review to verify the wise words, you can see this page flawlessly. This is the website that will provide all guides that most likely you require. Are guide's collections that will make you feel interested to review? Among them here is the Hamlet And Love Labours Lost: Color Illustrated, Formatted For E-Readers (Unabridged Version), By William Shakespeare that we will propose.

Hamlet and Love Labours lost: Color Illustrated, Formatted for E-Readers (Unabridged Version), by William Shakespeare

Read and Download Hamlet and Love Labours lost: Color Illustrated, Formatted for E-Readers (Unabridged Version), by William Shakespeare

One of the greatest plays of all time, the compelling tragedy of the tormented young prince of Denmark continues to capture the imaginations of modern audiences worldwide. Confronted with evidence that his uncle murdered his father, and with his mother’s infidelity, Hamlet must find a means of reconciling his longing for oblivion with his duty as avenger. The ghost, Hamlet’s feigned madness, Ophelia’s death and burial, the play within a play, the “closet scene” in which Hamlet accuses his mother of complicity in murder, and breathtaking swordplay are just some of the elements that make Hamlet an enduring masterpiece of the theater.Each Edition Includes:• Comprehensive explanatory notes • Vivid introductions and the most up-to-date scholarship • Clear, modernized spelling and punctuation, enabling contemporary readers to understand the Elizabethan English• Completely updated, detailed bibliographies and performance histories • An interpretive essay on film adaptations of the play, along with an extensive filmographyFrom the Paperback edition.

Hamlet and Love Labours lost: Color Illustrated, Formatted for E-Readers (Unabridged Version), by William Shakespeare

• Amazon Sales Rank: #1348169 in eBooks
• Published on: 2015-10-11
• Released on: 2015-10-11
• Format: Kindle eBook

Hamlet and Love Labours lost: Color Illustrated, Formatted for E-Readers (Unabridged Version), by William Shakespeare

From Library Journal The big H comes to Penguin's great revamped "Pelican Shakespeare" line. What else do you need to know? Buy it!Copyright 2002 Cahners Business Information, Inc.

Review Praise for William Shakespeare: Complete Works:“A feast of literary and historical information.” -The Wall Street JournalFrom the Trade Paperback edition.

Review Praise for William Shakespeare: Complete Works:“A feast of literary and historical information.” -The Wall Street Journal

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77 of 79 people found the following review helpful. Arden Shakespeare Hamlet By Nathan Records I am currently working on my MFA/Directing. I directed Hamlet and am now writing my defense of it. I have two thoughts on this third edition.After going through this edition, from a point of view of the script, I'm not sure I understand the need to update Harold Jenkins's 2d edition. The script itself was easier to navigate in the 2d edition and I thought Jenkins's notes were more helpful. I also disagree with some of what Thompson and Taylor have to say in their editorial notes below the script. That said, I am biased because I used the 2d edition as a sort of "Hamlet Bible" as I directed the piece. Jenkins's notes were extremely insightful and useful. I became very comfortable with it.On the other hand, this third edition has some different insight into the play in performance than does the second edition, as well as information on casting and music that was not included in Jenkins. Obviously there is much written about William Shakespeare in the world, and this 3rd edition of Arden is probably the most up-to-date resource for bibliographic material (as well as some photos of past productions of the play). Jenkins edition is 24 years old, ancient in the scholastic world's "what's new" when it comes to sifting the vast quantity of material written on Shakespeare and Hamlet.Obviously, the needs of the theatrical world for playing Hamlet are different than that of the scholastic world (of which I am currently stuck in both). I think Jenkins is more user-friendly for the theatrician while Thompson & Taylor suit the needs of the scholastic better. My final thought is that a scholar/student of Shakespeare will want to have both the second and third editions for the differences they have to offer.

37 of 37 people found the following review helpful. Best Shakespeare Edition Available: Arden By Drew Dara-Abrams The Arden editions of Shakespeare are the best available. While they cost a lot more than the standard cheap editions, they have so much more. The Folger editions (probably the most widely available editions of Shakespeare) have footnotes that are quite general and never do they have enough. In addition, they really don't have that much extra information on the play--only a small essay analyzing the modern issues of the play. The Arden editions are truly the scholarly editions of Shakespeare. Ninety percent of the time that I have a question on the text, a footnote provides more information. In addition, a lengthy introduction is included. Everything is documented. While at this point I don't care that much about how the quarto version of Hamlet said "no", when the folio version said "so", it's nice to know that if I have a specific question, the answers in there. My thoughts on Hamlet: Don't fret about understanding the material, just dive in. Shakespeare offers interesting plots to the beginners and vivid prose to pick over to the advanced scholar.

50 of 52 people found the following review helpful. Me thinkest thou protests too loudly. By Mr. Paul A. Ackermann I find this very interesting, at least one of the reviewers who gave such a low review not only reviewed this book, but every other book in this Ignatius Critical Series edit by Joseph Peace. In each one, he gives only one star, basially saying the book is a waste of time and money.Something is rotten in the state of Denmark!Why would someone, keep on reading all the books in this series, and then say that reading them is a waste of time? It just does not make sense! Not only that, but the majority of the book is giving nothing but the text of Hamlet. How can any true fan of Shakespeare give that one star. Just the text of Hamlet alone would make it at least 2 stars.So it seems to me that there are some here who have a hidden agenda of not wanting me to read this book - not because of its allegedly poor literary value. So the more they protested, the more I was intrigued.So I got the book, and I am so glad I did! For the first time, Hamlet came alive to me. The footnotes were enough to hep be understand the arachaic phrases, but I was not overwhelmed with them. The editor wanted Shakespear to speak for himself. None of the footnotes tried to persuade you to their interpretations. That was left to the commentaries after you read the Hamlet story.The commentaries were extremely insightful, looking at Hamlet from a Catholic perspective. And why not? Other commentaries look at Hamlet from a modernist or a feminist perspective. Why not from a Catholic perspective? Again, I do not understand these one-star critics. If they were really fans of Shakespeare, they would be happy to see a book like this that would broaden Shakespeare's audience. But it seems they would rather that Hamlet never be read than to read Hamlet from a politically incorrect view.To read why Shakespear was probably a Catholic and was writing from a Catholic persepective, you may want to read The Quest for Shakespeare

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Hamlet and Love Labours lost: Color Illustrated, Formatted for E-Readers (Unabridged Version), by William Shakespeare

Hamlet and Love Labours lost: Color Illustrated, Formatted for E-Readers (Unabridged Version), by William Shakespeare

Hamlet and Love Labours lost: Color Illustrated, Formatted for E-Readers (Unabridged Version), by William Shakespeare

Hamlet and Love Labours lost: Color Illustrated, Formatted for E-Readers (Unabridged Version), by William Shakespeare

Storm, by Kristian Ashley Macaron

Storm, by Kristian Ashley Macaron

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Kristian Macaron's first chapbook of poetry features her various experiences in New England during the midst of some of the most powerful storms to pass through in the last several years. Her poetry is raw, honest, and revealing. This is a wonderful for collection for anyone who has experience the confusing effects of natural disaster as well as those who may have never had such an experience.

Storm, by Kristian Ashley Macaron

• Amazon Sales Rank: #2291464 in Books
• Published on: 2015-06-26
• Original language: English
• Number of items: 1
• Dimensions: 8.00" h x .6" w x 5.00" l, .8 pounds
• Binding: Paperback
• 24 pages

Storm, by Kristian Ashley Macaron

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1 of 1 people found the following review helpful. Five Stars By TJ Staneart This books is wonderful. Shut up and read it.

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Ruth Fielding At College; or, The Missing Examination Papers, by Alice B. Emerson

Ruth Fielding At College; or, The Missing Examination Papers, by Alice B. Emerson

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Ruth Fielding At College; or, The Missing Examination Papers, by Alice B. Emerson

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"Oh, my back! and oh, my bones!" By no possibility could Aunt Alvirah Boggs have risen from her low rocking chair in the Red Mill kitchen without murmuring this complaint. She was a little, hoop-backed woman, with crippled limbs; but she possessed a countenance that was very much alive, nut-brown and innumerably wrinkled though it was.

Ruth Fielding At College; or, The Missing Examination Papers, by Alice B. Emerson

• Published on: 2015-06-27
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .22" w x 6.00" l, .30 pounds
• Binding: Paperback
• 94 pages

Ruth Fielding At College; or, The Missing Examination Papers, by Alice B. Emerson

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0 of 0 people found the following review helpful. Five Stars By azc as exoected

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Ruth Fielding At College; or, The Missing Examination Papers, by Alice B. Emerson

Ruth Fielding At College; or, The Missing Examination Papers, by Alice B. Emerson

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Stephen Archer, and Other Tales, by George MacDonald

Stephen Archer, and Other Tales, by George MacDonald

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Stephen Archer, and Other Tales, by George MacDonald

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Stephen Archer was a stationer, bookseller, and newsmonger in one of the suburbs of London. The newspapers hung in a sort of rack at his door, as if for the convenience of the public to help themselves in passing. On his counter lay penny weeklies and books coming out in parts, amongst which the Family Herald was in force, and the London Journal not to be found. I had occasion once to try the extent of his stock, for I required a good many copies of one of Shakspere's plays—at a penny, if I could find such. He shook his head, and told me he could not encourage the sale of such productions. This pleased me; for, although it was of little consequence what he thought concerning Shakspere, it was of the utmost import that he should prefer principle to pence. So I loitered in the shop, looking for something to buy; but there was nothing in the way of literature: his whole stock, as far as I could see, consisted of little religious volumes of gay binding and inferior print; he had nothing even from the Halifax press.

Stephen Archer, and Other Tales, by George MacDonald

• Published on: 2015-06-09
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .33" w x 6.00" l, .45 pounds
• Binding: Paperback
• 144 pages

Stephen Archer, and Other Tales, by George MacDonald

About the Author George MacDonald was a Scottish author and minister best known for his fairy tales and fantasy novels. A theologian, MacDonald was pastor of Trinity Congregational Church in Arundel before moving to London to teach at the University of London. MacDonald s work influenced many fantasy writers including J. R. R. Tolkien, C. S. Lewis, and Madeleine L Engle; he is recognized as a mentor to Lewis Carroll and heavily influenced Carroll s decision to submit Alice s Adventures in Wonderland for publication. MacDonald was a prolific writer, and penned such fantasy classics as Phantastes, The Princess and the Goblin, and Lillith. George MacDonald died in 1905.

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3 of 3 people found the following review helpful. a very mixed bag indeed: watch out for that play/drama at the end By bmuse Consider this a friendly warning. This anthology assembles several works written by George MacDonald, at least one of which (Photogen and Nycteris) has in fact been published all by itself, but all of the contents are shorter works of his, considerably shorter than his full-length novels (an unabridged "Sir Gibbie," for example, goes over four hundred pages in length). This collection is a real grab bag, because not everything in here is of the same quality, and the pieces come from various periods in MacDonald's writing career. They are kind of thrown together in here just because they are lesser-known and not all that lengthy.One of them deserves obscurity, hence my warning. The earliest piece of writing in "Stephen Archer" comes at the very end, and it is called "If I Had A Father." It is nothing like a novel, and with good reason: MacDonald was so early into his career as a writer, when he wrote "If I Had A Father," that he had yet to write one single novel. His publishers had not yet sat him down and had the talk with him which would change his life: write novels, young man, if you want the public to buy anything of yours and to keep a roof over your head. Up to this early point, MacDonald had written poems and dramatic verse, such as "Within and Without.""If I Had A Father" is a drama, a play in several scenes, and it stinks to high heaven. It is really, really pathetic. MacDonald had a very difficult time writing it, as his letters to his wife disclose (quoted in various biographies). Never again did MacDonald attempt anything of the sort....oh, by the way, nobody would publish the thing, not even the publishers who printed his poetry. The only way that MacDonald could publish "If I Had a Father" during his lifetime was to sneak it into an anthology of shorter stories...like this one!Only the biographers, the completist/collectors, and the students who review each MacDonald piece with regard to the whole of his oeuvre, will have any use for "If I Had A Father." Read it at your own risk. Otherwise, enjoy the other pieces in this anthology.

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Stephen Archer, and Other Tales, by George MacDonald

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Democracy and Social Ethics, by Jane Addams

Democracy and Social Ethics, by Jane Addams

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It is well to remind ourselves, from time to time, that "Ethics" is but another word for "righteousness," that for which many men and women of every generation have hungered and thirsted, and without which life becomes meaningless.

Democracy and Social Ethics, by Jane Addams

• Published on: 2015-06-01
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .19" w x 6.00" l, .27 pounds
• Binding: Paperback
• 82 pages

Democracy and Social Ethics, by Jane Addams

About the Author In 1889, Jane Addams and Ellen Gates Starr co-founded Hull House in Chicago, Illinois, the first settlement house in the United States. The house was named after Charles Hull, who built the building in 1856. When starting out, all of the funding for the Hull House came from the $50,000 estate she inherited after her father died. Later, the Hull House was sponsored by Helen Culver, the wealthy real estate agent who had initially leased the house to the women. Jane and Ellen were the first two occupants of the house, which would later be the residence of about 25 women. At its height, Hull House was visited each week by around 2000 people. Its facilities included a night school for adults, kindergarten classes, clubs for older children, a public kitchen, an art gallery, a coffeehouse, a gymnasium, a girls club, bathhouse, a book bindery, a music school, a drama group, a library, and labor-related divisions. Her adult night school was a forerunner of the continuing education classes offered by many universities today. In addition to making available services and cultural opportunities for the largely immigrant population of the neighborhood, Hull House afforded an opportunity for young social workers to acquire training. Eventually, the Hull House became a 13-building settlement, which included a playground and a summer camp

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22 of 22 people found the following review helpful. An Empathetic Look At the Plight of Early 20th Century Poverty-Stricken Immigrants By Mark B. Cohen Hull House founder and Nobel Peace Prize winner Jane Addams spent twenty years working with the poverty-stricken immigrant poor in Chicago. She writes here with understated passion and unqualified empathy for their plight.Anyone who wants to know why we have a fourty hour work should read this book. Addams writes about the desirablity of factory work over household work for young women, due both to the lack of isolation and the relatively short working hours, "only" from 7 a.m. to 6 p.m., six days a week.Anyone who wants to know why we minimum wage laws, social security disability laws, age discrimination laws, social security laws, welfare laws, etc. should read this book. Addams writes about people earning pennies an hour, having their peak earning years in their twenties, being disabled in their thirties, and being dependent on children for financial support. The children, in turn had their education stop before high school so they can support their families.Anyone who wants to know why governments spend so much money on education should read this book. Addams writes about children having a choose limited to factory employment or household service, with the more intellectually oriented being doomed to spend a lifetime haunting public libraries and public lectures, but having virtually no chance of escaping the circumstance of their birth.Anyone who wants to know why poverty-stricken people are suspicious of political reform movements should read this book. Addams writes about the major efforts Chicago's political powerhouses made to help individual poverty-stricken people, and the irrelevance of wisdom advocating personal savings to people who could not pay for food for their family, or of wisdom urging them to stay out of taverns when they were a great source of personal help and friendship.One hundred and five years after Addams wrote this book, the United States is a far better place to live than it was then. But our country's improvements, urged by great progressive leaders like Addams, are under relentless right-wing assaults today. This book is extremely relevant to our country's future, if our future is going to continue to better than our past.The introduction of Charlene Haddock Seigfried, the past president of the Society for the Advancement of American philosophy, adds a great deal to this work, as it places Addams and her fellow reformers into the context of both their times and the prevailing systems of thought.Addams saw democracy as a way of life, and not just a series of electoral choices. She sought a major expansion of municipal services, to both improve the living standards of the desperately poor and to wean them away from dependence on corrupt political machines. She advocated the existence of "A reformer who really knew the people and their great human needs, who believed it was the business of government to serve them, and who further recognized the educative power of a sense of responsibility...."Addams addresses this book to the philanthropic community which provided the base of her financial support. She clearly saw them as providing seed money for demonstration projects to create greater governmental and societal commitment.It is fashionable in some quarters to say that nothing has been done and nothing can be done to improve the plight of the poverty-stricken. Anyone who believes that, or must deal with others who believe that, should read and quote liberally from this book.

0 of 0 people found the following review helpful. Addams Visualizes Day-to-Day Democracy By Mork Jane Addams was an amazing woman - respectful and highly intelligent. Like fellow Pragmatists John Dewey, William James and George Herbert Mead, she maintained that democracy emerges from the People rather than being bestowed on Americans from government (whether benevolent or otherwise). As the founder of Chicago's Hull House, one of the most famous settlements in the US, she met people everyday that had diverse experiences and hopes for their lives. She tells their stories straightforwardly and in a way that allows the reader to clearly see how misinterpretation occurs with and between people. Addams advocates for doing good "with" people as opposed to doing good "for" people, for taking ethical action to ensure that all Americans have a voice in our ongoing democratic conversation.

0 of 0 people found the following review helpful. Good Ideas and Principles for the 21st Century, Too! By bln If you think of Jane Addams in terms of settlement houses and ending World War I (or trying to), settle down with this slender book to read her thoughts on "social ethics" and practical considerations that affect us today even in different situations than Addams was confronting. Excellent information and thought-provoking. Highly recommended for students of peace and justice studies and members of Women's International League for Peace and Freedom - Addams' ideas about social and economic status differences are eye-opening!

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