Richard II(annotated), by William Shakespeare
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Richard II(annotated), by William Shakespeare
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King Richard the Second is a history play by William Shakespeare believed to have been written in approximately 1595. It is based on the life of King Richard II of England (ruled 1377–1399) and is the first part of a tetralogy, referred to by some scholars as the Henriad, followed by three plays concerning Richard's successors: Henry IV, Part 1; Henry IV, Part 2; and Henry V. It may not have been written as a stand-alone work.[citation needed] Although the First Folio (1623) edition of Shakespeare's works lists the play as a history play, the earlier Quarto edition of 1597 calls it The tragedie of King Richard the second.
Richard II(annotated), by William Shakespeare- Amazon Sales Rank: #2971603 in eBooks
- Published on: 2015-10-03
- Released on: 2015-10-03
- Format: Kindle eBook
Review "Cmbridge University Press has provided a very great service to the scholarly community with its series The Early Quartos produced in parallel with....this text is a valuable contribution to the study of this play and of the history of Shakespare's texts in general." Shakespare Bulletin
From the Publisher An exciting new edition of the complete works of Shakespeare with these features: Illustrated with photographs from New York Shakespeare Festival productions, vivid readable readable introductions for each play by noted scholar David Bevington, a lively personal foreword by Joseph Papp, an insightful essay on the play in performance, modern spelling and pronunciation, up-to-date annotated bibliographies, and convenient listing of key passages.
From the Inside Flap An exciting new edition of the complete works of Shakespeare with these features: Illustrated with photographs from New York Shakespeare Festival productions, vivid readable readable introductions for each play by noted scholar David Bevington, a lively personal foreword by Joseph Papp, an insightful essay on the play in performance, modern spelling and pronunciation, up-to-date annotated bibliographies, and convenient listing of key passages.
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77 of 79 people found the following review helpful. Arden Shakespeare Hamlet By Nathan Records I am currently working on my MFA/Directing. I directed Hamlet and am now writing my defense of it. I have two thoughts on this third edition.After going through this edition, from a point of view of the script, I'm not sure I understand the need to update Harold Jenkins's 2d edition. The script itself was easier to navigate in the 2d edition and I thought Jenkins's notes were more helpful. I also disagree with some of what Thompson and Taylor have to say in their editorial notes below the script. That said, I am biased because I used the 2d edition as a sort of "Hamlet Bible" as I directed the piece. Jenkins's notes were extremely insightful and useful. I became very comfortable with it.On the other hand, this third edition has some different insight into the play in performance than does the second edition, as well as information on casting and music that was not included in Jenkins. Obviously there is much written about William Shakespeare in the world, and this 3rd edition of Arden is probably the most up-to-date resource for bibliographic material (as well as some photos of past productions of the play). Jenkins edition is 24 years old, ancient in the scholastic world's "what's new" when it comes to sifting the vast quantity of material written on Shakespeare and Hamlet.Obviously, the needs of the theatrical world for playing Hamlet are different than that of the scholastic world (of which I am currently stuck in both). I think Jenkins is more user-friendly for the theatrician while Thompson & Taylor suit the needs of the scholastic better. My final thought is that a scholar/student of Shakespeare will want to have both the second and third editions for the differences they have to offer.
37 of 37 people found the following review helpful. Best Shakespeare Edition Available: Arden By Drew Dara-Abrams The Arden editions of Shakespeare are the best available. While they cost a lot more than the standard cheap editions, they have so much more. The Folger editions (probably the most widely available editions of Shakespeare) have footnotes that are quite general and never do they have enough. In addition, they really don't have that much extra information on the play--only a small essay analyzing the modern issues of the play. The Arden editions are truly the scholarly editions of Shakespeare. Ninety percent of the time that I have a question on the text, a footnote provides more information. In addition, a lengthy introduction is included. Everything is documented. While at this point I don't care that much about how the quarto version of Hamlet said "no", when the folio version said "so", it's nice to know that if I have a specific question, the answers in there. My thoughts on Hamlet: Don't fret about understanding the material, just dive in. Shakespeare offers interesting plots to the beginners and vivid prose to pick over to the advanced scholar.
50 of 52 people found the following review helpful. Me thinkest thou protests too loudly. By Mr. Paul A. Ackermann I find this very interesting, at least one of the reviewers who gave such a low review not only reviewed this book, but every other book in this Ignatius Critical Series edit by Joseph Peace. In each one, he gives only one star, basially saying the book is a waste of time and money.Something is rotten in the state of Denmark!Why would someone, keep on reading all the books in this series, and then say that reading them is a waste of time? It just does not make sense! Not only that, but the majority of the book is giving nothing but the text of Hamlet. How can any true fan of Shakespeare give that one star. Just the text of Hamlet alone would make it at least 2 stars.So it seems to me that there are some here who have a hidden agenda of not wanting me to read this book - not because of its allegedly poor literary value. So the more they protested, the more I was intrigued.So I got the book, and I am so glad I did! For the first time, Hamlet came alive to me. The footnotes were enough to hep be understand the arachaic phrases, but I was not overwhelmed with them. The editor wanted Shakespear to speak for himself. None of the footnotes tried to persuade you to their interpretations. That was left to the commentaries after you read the Hamlet story.The commentaries were extremely insightful, looking at Hamlet from a Catholic perspective. And why not? Other commentaries look at Hamlet from a modernist or a feminist perspective. Why not from a Catholic perspective? Again, I do not understand these one-star critics. If they were really fans of Shakespeare, they would be happy to see a book like this that would broaden Shakespeare's audience. But it seems they would rather that Hamlet never be read than to read Hamlet from a politically incorrect view.To read why Shakespear was probably a Catholic and was writing from a Catholic persepective, you may want to read The Quest for Shakespeare
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