The Legacy of Cain, by Wilkie Collins
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The Legacy of Cain, by Wilkie Collins
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At the request of a person who has claims on me that I must not disown, I consent to look back through a long interval of years and to describe events which took place within the walls of an English prison during the earlier period of my appointment as Governor. Viewing my task by the light which later experience casts on it, I think I shall act wisely by exercising some control over the freedom of my pen.
The Legacy of Cain, by Wilkie Collins- Published on: 2015-06-18
- Original language: English
- Number of items: 1
- Dimensions: 11.00" h x .27" w x 8.50" l, .64 pounds
- Binding: Paperback
- 116 pages
About the Author English novelist and playwright Wilkie Collins was a prolific writer with a body of work comprising thirty novels, over sixty short stories, more than a dozen plays, and a wide range of non-fiction pieces. Collins is best known for his novels The Woman in White, an early sensation novela genre combining shocking gothic horror with everyday domestic settingsand The Moonstone, which is credited as one of the first modern mystery novels. In the 1850s Collins met Charles Dickens and the two struck up a friendship, which lead to Collins becoming a frequent contributor to Dickens s journals Household Words and All the Year Round. Many of his stories have been adapted for film, including Basil, A Terribly Strange Bed, The Moonstone and The Woman in White. Collins died in 1889 at the age of 65.
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3 of 3 people found the following review helpful. Nature or Nurture? By JanRemarque Wilkie Collins is better known for two other novels, THE MOONSTONE and THE WOMAN IN WHITE but THE LEGACY OF CAIN is their equal, in my opinion.A minister is persuaded by an aristocratic woman (who is about to be hanged for murdering her husband) to take her infant daughter and raise her as his own. As happens frequently, the childless couple adopts the child and before long have a daughter of their own.The story explores, partly through the governor (warden) of the prison who is a friend of the minister, how these two girls grow up in the exact same circumstances, never suspecting they are not blood sisters, and how differently they turn out.The governor's narration explores the nature or nurture question in a thoughtful and provocative manner without making an absolute judgment.Anyone interested in this subject would certainly find this story interesting.Wilkie Collins' writing is surprisingly modern and without the flowery prose that was so common during the 1800's.
2 of 2 people found the following review helpful. An unusual and delightful book By Israel Drazin Wilkie Collins (1824-1889), a friend and sometime co-author of Charles Dickens, wrote enjoyable books. He was the inventor of detective novels. He is best known for his books “The Woman in White” and “Moonstone.” His plots are unusual and suspenseful. Even some plots of his non-detective tales have the flavor of that genre. He has a keen understanding of psychology, which is reflected frequently in his tales. In this book two sisters grow up not knowing that they are not related biologically, and turn out differently.The story begins when a female prisoner who was sentenced to be hung for the horrible way she killed her husband persuades a minister, Mr. Gracedieu, to adopt her infant daughter. The minister and his wife have no children and do not expect to be able to have any. A doctor warns him that human nature causes physical and personality traits of parents to be inherited by their children, and tries to persuade the minister not to take the child because he will face horrors when the child grows up because she will have her mother’s despicable traits. The minister disagrees and states that his Christian lessons and pious home habits will assure the child grows into a responsible woman. The plot therefore focuses on what causes evil: heredity or environment or, to put it simply, is there a legacy of Cain?The plot is amplified when the minister’s wife unexpectantly gives birth to a daughter and, unknown to her husband, tells the head of the prison in a venomous manner that she does not want the hung woman’s child and will do all she can to dispose of the child even though her husband wants her. She tries to gain his help in the enterprise, but he refuses. She dies before she can carry out her plan. The minister does all he can to hide that his adopted daughter is the child of a sinister murderess. He refuses to reveal to his daughters that one of them is adopted, and for unusual reasons asserts that he does not want to say which of the two is older. This act raises the curiosity of people who hear about it. He names his adopted daughter Eunice, which, not mentioned or even hinted by Collins, is based on the Greek “eu,” meaning “good,” while the minister’s wife names her daughter Helena against his wishes, a name that is reminiscent of Helen of Troy. Is this meant to be ironic?The plot swells by the entrance of several characters into the lives of the children, including the mistress of the murdered husband, Miss Chance, who strongly disliked his wife who killed him and her daughter, who is determined to harm the daughter. Another is the entrance into the minister’s home of the minister’s cousin, Miss Jillgall, who Helena thinks is mean-hearted and duplicitous, while Eunice considers her a nice person. The well-meaning minister brought her into his home because she had nowhere else to live. One of her friends is Miss Chance. Jillgall is overly curious and a busy-body. Still another character introduced into the tale is the rich husband of the murderess’s sister who was no longer alive, who offered to help place the child, but refused to bring the child into his home lest his son fall in love with this tainted girl and want to marry her. He is not told that the minister adopted her.Years later, the two girls are eighteen. Helena, the minister’s natural daughter is far smarter, prettier, and with a warmer personality than Eunice. While Helena is away, Eunice and the son meet, neither knowing the history, and they fall in love. Eunice thinks that the only problem that she might have with this young man is that his father is exceedingly rich while her father is poor, but she is wrong.
1 of 1 people found the following review helpful. Not Wilkie Collins' best By Sharon E. Neufeld If you have read "The Moonstone" and "The Woman in White" and are looking for a Wilkie Collins fix, walk right on by"The Legacy of Cain". An indignant indictment of Victorian prejudices which lacks the subtle evocations of atmosphere that Collins excels at, "Legacy" fails to round out its characters and is short on plot. Consider yourself warned.
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