Screenwriting and The Unified Theory of Narrative: Part I - The Unified Narrative Structure, by Michael Welles Schock
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Screenwriting and The Unified Theory of Narrative: Part I - The Unified Narrative Structure, by Michael Welles Schock
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Screenwriting and The Unified Theory of Narrative, Part I provides an advanced investigation of narrative structure for readers who wish to understand cinematic storytelling not in terms of its bits and pieces, but as a comprehensive whole. A great story is not a collection of parts, but a process by which many elements interact to create a single meaningful experience. By seeking the principles of these interactions, this book unites the formerly separate structures of plot, character, and theme to reveal for the first time the single overarching structure by which every successful traditionally-told Hollywood or American Independent film abides, regardless of genre, premise, style, or tone. The unified narrative structure is not a formula. It simply reveals the natural method by which great cinematic stories always have and always will unite their many elements into a cohesive line of action that communicates as well as entertains. Whether it be celebratory story like Star Wars, a cautionary tale like Raging Bull, a tragic narrative like Chinatown, or a cynical film like The Godfather, the interactions between plot, character, and theme remain exactly the same. With its approach, The Unified Narrative Structure comes as close as currently possible to a truly universal model of cinematic storytelling; one that takes into account all three dimensions of narrative and stands applicable to virtually any traditional feature-length film.
Screenwriting and The Unified Theory of Narrative: Part I - The Unified Narrative Structure, by Michael Welles Schock- Amazon Sales Rank: #3199989 in Books
- Published on: 2015-10-29
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x .42" w x 6.00" l, .56 pounds
- Binding: Paperback
- 186 pages
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0 of 0 people found the following review helpful. UNQUESTIONABLY, A PRICELESS GIFT TO ALL STUDENTS OF SCREEN CRAFT.. By Lenny Both this book and its companion volume ( Screenwriting Down To The Atoms) have demanded my attention. They are quite frankly the best that I have ever encountered, and I have owned and studied many over several decades. They are NOT first books to recommend for beginners. I'd recommend something like Save the Cat as an introductory read. But for intermediate and even experienced writers I have not seen a comparable book on the subject.I would suggest reading Screenwriting Down to the Atoms before Unified Theory, but I feel confident in saying that both are essential to someone who wants to truly understand the craft in the organized detail which would most avail them to a comprehensive grasp of this complex and extensive subject. The writer has performed a great service to students of screen craft. I do not feel it is hyperbole or overstatement to claim that Mr. Schock's volumes and most likely the upcoming Unified Theory, vol. II will subsequently be viewed as not only standard texts for the study of screenwriting, but acknowledged classics in the field. I am grateful for the opportunity to comment on them.
0 of 0 people found the following review helpful. I liked "Screenwriting Down To The Atoms" by this author so ... By D. McK I liked "Screenwriting Down To The Atoms" by this author so I thought I would give this a try. I was not disappointed. I have some 200+ books on screenwriting/novel writing/story theory and none of them go into Theme the way this book does. Once you've been through the "Save The Cat"s and all the other Intro To Screenwriting books, check this one out. It's solid and it will save you a lot of time and confusion. I will warn you that while it is easy to understand, it's not cutesy-ed up like Save The Cat.
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