I Was A Champion Then: Fourteen Stories About Quiet Injustice, Small Rebellions and Restless Hope, by Alfred A. Meyer
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I Was A Champion Then: Fourteen Stories About Quiet Injustice, Small Rebellions and Restless Hope, by Alfred A. Meyer
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Upon his death in 2012, Alfred A. Meyer left behind over 30,000 pages of unpublished writings going back to 1964. Most of the pages revolved around Meyer's unfinished novel, but his son, writer Christopher Paul Meyer, also found fourteen short stories buried in the stacks of papers. Featuring harsh moments and quiet victories, uncensored memories and poetic honesty, the stories explore race and class, childhood and cruelty, art and baseball. Edited and introduced by Christopher Paul Meyer, the stories can now be presented to the public for the first time.
I Was A Champion Then: Fourteen Stories About Quiet Injustice, Small Rebellions and Restless Hope, by Alfred A. Meyer- Amazon Sales Rank: #1387304 in eBooks
- Published on: 2015-06-25
- Released on: 2015-06-25
- Format: Kindle eBook
Review
- "Meyer is a good, descriptive writer...Interesting...Tales that smolder..." - Kirkus Reviews
- "...an intriguing compilation...compelling depth...[with a] profound message...Well written...Read these stories more than once...Give them a chance to touch your heart and soul. Alfred A. Meyer's writing style is one that will make you stop and think. His style flows gracefully...Eloquent and colorful descriptions...By editing and publishing Alfred A. Meyer's writings, Christopher Paul Meyer has created a beautiful book of nearly poetic reflection and shared a gem that may, otherwise, have been lost forever." - Red City Review (5-Star Selection)
- "[Meyer] writes eloquently about topics that seem at once deeply American and universal...A heartwarming book through and through...emanates with the love of writing...Moving and evocative...Each word and sentence comes out well-considered and well-measured...A bit like Richard Yates' short prose...The writing is careful, but never stale, and poetic without being too wordy." - Self-Publishing Review
- "A good read...Refreshing...Definitely recommended for those who love a good family story and those readers who have a preference for collections of short stories." - Portland Book Review
- "Quite simply, these are exquisite autobiographical vignettes capturing bygone worlds and impressions. Much like Proust's classic (but wordier) works...Readers who appreciate these jewel-like moments...will find [the book] to be the perfect example of autobiographical short story writing at its best: lyrical, captivating and without the concluding judgments and morals so commonly attached to the modern short story format." - D. Donovan, Senior Reviewer, Midwest Book Review
About the Author Alfred A. Meyer was a maritime lawyer until the collapse of the shipping industry. Supporting his family as a building manager, estate lawyer and legal gun-for-hire, he pursued a writing career in every spare moment he had. Upon his death in 2012, he left behind over 30,000 pages of unpublished writing going back to 1964. Most of the pages were drafts of his unpublished novel. The remaining pages were short works, now compiled into the collection I Was A Champion Then. His novel, Sparrow Street, is currently being edited for publication in 2017.
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Most helpful customer reviews
1 of 1 people found the following review helpful. Written in a very elegant and tasteful way, this read will leave you with a strong book hangover... By Lola As a big fan of memoirs, I must say that I enjoyed this book a lot!It's a collection of fourteen compelling autobiographical stories written by Alfred A. Meyer and skillfully edited and published by his son Christopher Paul Meyer.Alfred Meyer was a maritime lawyer, who always dreamed about writing, but chose not to do it for living because it wouldn't pay the bills. He kept on writing though... And eventually even got into doing it full time. He died in 2012 leaving behind a lot of unpublished work, some of which his son Christopher (who is a great writer himself), decided to edit and publish to fulfill his father's ambitions.Written in a very elegant and tasteful way, this read will leave you with a strong book hangover...
0 of 0 people found the following review helpful. ‘A few of them were pure nonfiction. The rest were as true as they needed to be.’ By Grady Harp Alfred A. Meyer was a maritime lawyer until the collapse of the shipping industry. Supporting his family as a building manager, estate lawyer and legal gun-for-hire, he pursued a writing career in every spare moment he had. Upon his death in 2012, he left behind over 30,000 pages of unpublished writing going back to 1964. Most of the pages were drafts of his unpublished novel. The remaining pages were short works, now compiled into the collection I WAS A CHAMPION THEN edited by his son, author Christopher Paul Meyer who writes noir and nonfiction. He is a former bouncer, firefighter, soldier, actor and prison chaplain. He started his writing career as a screenwriter, writing five screenplays, three of which were either optioned or commissioned. He ventured into books with ICARUS FALLING, a memoir of his years as a nightclub bouncer.In this ‘combination’ book – father’s stories, son’s compassionate editing – The Introduction by Christopher is a thoughtful memoir and bears repeating: Alfred A. Meyer was a lawyer. A Christian Scientist. A husband. My dad. But, more than anything else, he was a writer. By his senior year at Westminster College, he had been recognized as the top college sportswriter in Missouri. That was as far as his writing career got. Dad’s mother worked in publishing. (Meeting her once when I was one, I never really got enough practice to call her “Grandma.”) She knew how hard it was to pay bills as an author. She was still scarred from the Great Depression. It had taken both her wealth and her husband. So when she told Dad never to write for a living, he listened. He became an admiralty lawyer, negotiating cargo claims and shipping rights for international maritime companies. But he still had stories he wanted to tell. In 1964, Dad was accepted into Story Magazine co-founder Martha Foley’s famed short fiction class at Columbia University. During her class, he wrote first drafts of several short stories you’ll find in this collection: On the Bridge, Emily in Lavender, Triumphant Dusk, The Life or Death of J.F and Chili. With Martha’s encouragement, he began to write during every spare moment he had. He never stopped. Like a chord his ear could hear, but his voice couldn’t find, Chili intrigued Dad with increasing regularity. He expanded its scope, broadened the themes, added characters. It wasn’t simply going to be a novel, it was going to be his life’s work.Then the 1980s intervened. In 1985, the entire maritime shipping industry went bust. Dad’s law firm disbanded after one partner killed himself. Admiralty lawyers, as a tribe, scrounged for work. Suddenly, Dad had no reason not to write professionally. The rejections weighed heavily on Dad. He was paying our bills by managing our apartment building and drawing up a few wills and estates for church friends. He had to negotiate with the IRS when our tax burden outpaced his earnings. My mom prematurely emptied her pension funds and put all our money on his talent. All our family had left was our faith in Dad. So, like the 3am gambler who tries to break a bad streak by switching dealers and raising the ante, Dad stopped writing short pieces and turned wholeheartedly to his novel. He didn’t have time (or money) to waste on small victories and distracting disappointments. He needed a big win. He needed the Great American Novel. He didn’t get it. Agents liked his writing – they just didn’t like the book. Publishers felt the same way. Each rejection letter spurred him to sharpen his pencils, reposition his desk (a raw pinewood board on his lap) and bury himself in his study. From 1993 on, he couldn’t sit through a movie, much less a holiday weekend. He took no vacations. The last few years of his life, Dad’s body began to shut down. He was confined to a small bed in his study. Medicare stopped covering his nursing costs because, well, medically there was nothing wrong with him. His body just wasn’t working. It was becoming uncharacteristically rigid and gnarled. He was turning into his book. His fingers still clutched his pencils and scrawled on his ubiquitous yellow legal pads. Every bedridden moment was another chance for him to polish the book into something memorable. He never did. Upon his death in 2012, he had over 30,000 pages of unpublished writing, dating back to 1964. His writing spanned almost 50 years of technological innovation. There were the carefully creased, typewritten pages. There were dozens of floppy disks. Reams of dot-matrix printouts sat next to stacks of laser printer printouts. And there were yellow legal pads covered with his illegibly handwritten notes…..’The stories are strong but the real presence in the book is the sense that a son brought his father’s unfulfilled dream to life. It is well worth reading on so many levels, Grady Harp, August 15
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